The name of this series emerged during the creation of Object № 1.
During this period, a sharp creative mutation occurred in my visual language, and new forms of ceramic life began to emerge rapidly, synthesising with another material—fiberglass.
The elements of this modernized world gradually lost their stability and entered a state of weightlessness. Seeking a comfortable habitat, they found themselves in jars, then under a glass dome, or even hovering in space, enveloped in a ghostly gas.
Over time, it became clear that any virus, including creative ones, has a high survival rate. I didn’t get vaccinated! The spread of this new, unfamiliar form of ceramic life brought the joy of experimentation and an unexpected increase in productivity.